Tuesday, 9 February 2010

No Winners – Just Losers – in the Sordid, Tawdry World of ME, ME, ME

Down at our village local, the regulars are giving their fourpenny-worth on who is the most deluded in the John Terry-Vanessa Perroncel debacle. It's kind of like one of Mrs Merton's "heated debates" - only without the heat.

I tell them Capello was right to take the armband off Terry. He had no choice. Terry's behaviour was scandalously irresponsible, even though the man himself appears incapable of shame. The blokes all stick up for the tainted England ex-captain. It's only to be expected after all. Blokes stick together, don't they? Through thick and thin. Well, apart from Terry and Wayne Bridge, that is.

What I'm desperate to know is, guys, how come a slut of a footballer, with an oversized ego that matches his obscenely-weighted pay packet can command such blind loyalty? "Cos he's a top bloke on the football field," they say to a man. A leader. A warrior. And in the freakish deluded world of the male footie supporter, what happens over 90 minutes plus stoppage time is all that counts. (oops, nearly left a vital "o" out there!)

On the other hand, Vanessa Perroncel doesn't strike me as the sort of woman who inspires such loyalty – either from her so-called women friends or from her past male conquests. Indeed, Ms Perroncel's "pals" were quick to impart the serial footballer-stalker's tales of her lurid affair with Terry to a Sunday tabloid. How very generous of them to get in on the act, seeing as the Chelsea centre-half has bought his ex-lover's silence for the princely sum of £800,000, if the media valuation is to be believed.

Perroncel is most certainly deluding herself if she thinks Wayne Bridge will take her back. She must be bonkers. Frankly love, I've got more chance of shacking up with Bridgey than you – and I'm a devout lesbian.

No doubt, there are many female teenagers out there whose sole purpose in life will be to bag themselves a Premiership footballer – and along with him, the eighteen-bedroom mansion and platinum credit card with no spending limit. When I was in secondary school the girls all wanted to go into banking or teaching. Or journalism, if they were on the posh side. If anyone had told the careers advisor she wanted to be a model - or heaven forbid - a star of reality TV, she'd have been laughed out of the classroom. Nowadays, becoming a WAG is a viable career option – one where a college degree means you're almost certainly overqualified for the role. Hang on, I might have spoken too soon. Someone assures me they've just added it to the curriculum at our local uni. Well I never . . .

As for our lukewarm debate, I have reached the conclusion that the one who is most deluded in all of this isn't John Terry, or even Vanessa Perroncel – it's poor old Toni Poole. Never mind that she says she loves Terry, the soppy idiot. Hasn't she proved that to him over and over down the years, every single bloody time he's done the dirty on her? Sadly, I fear poor Toni is destined to remain Mrs John Terry for as long as he will have her, no matter how many times he errs.

In fact, I'm sorely tempted to jump on a jet to Dubai this very afternoon and whisk Toni Terry off to the nearest tattoo parlour so she can get a doormat etched onto her forehead, ahead of her scheduled meeting with her cheating husband this weekend. If only I felt she could be saved.

Meanwhile, back the local, I gain something of an insight into the female perspective on all this. Mac, 54, who's two weeks off celebrating his Silver Wedding anniversary, says women don't care what blokes like John Terry get up to, providing their hubbies aren't doing the same. Mostly the wives use fear as a deterrent, and in the main it seems to work. In Mac's case, his missus does a rather fine line in curried meatballs. Must make a mental note to mention it to Toni . . .




Wednesday, 23 December 2009

Monday, 30 November 2009




Well, here we are on the final day of NaNoWriMo - and yes - I've done it! Completed 50,000 words of a new novel in 30 days and barely broken sweat (she fibs). Frankly, I think I could have got a lot further into the novel, had we not been moving home at the tail end of this month. Still, 50, 283 words is a reasonable start and I hope to finish the first full draft by the time Christmas is upon us.


What did I learn from the process? That it's possible for me to write 1800 words a day for an entire month, without being tempted to go back and edit what I wrote. This is such a positive step forward for me, as, being the "tinkerer" I undoubtedly am, it is not something I have been able to achieve previously. I'd really like to be able to go on and complete the remaining 40K-50K words of the story in a similar vein.


So a HUGE and sincere well done to all of you who gave the novel-writing challenge a go this time around - and for those who might like to enter this, or the screenplay contest next year, you can check out the details at: http://www.nanowrimo.org/


Best, Kaz x

Tuesday, 20 October 2009

November Is National Novel Writing Month - Will You Join Me In Bashing Out 50,000 Words Over 30 Days?





If you're a writer of fiction you will no doubt have heard of National Novel Writing Month (aka NaNoWriMo), which runs from 1-30 November 2009. Participants are required to write a 50,000 word first draft of a new novel (from scratch) and this year, for the first time, Yours Truly will be taking part. Yes, I'll be aiming to write 1700 words per day, over each of the 30 days and I'd be thrilled to have your company, writing alongside me.

On this occasion we are aiming for quantity, rather than quality, (you have my official permission to write utter crap), because if, at the end of November, we find we've fallen in love with our storyline, we may just decide to take things further. Many writers have gained their first publishing deal through taking part in this annual worldwide event, so why not get yourself over to http://www.nanowrimo.org/ and sign up now.

Who knows, it could be the start of something BIG and rather wonderful.

Saturday, 26 September 2009

On The Hunt For The Lesser-Spotted Agent

I realise I've been neglecting my readership - (that's you guys!) - in pursuit of my '60-day Write And Sell A Screenplay' challenge. One week to go and I'm almost there. What I mean is, I've finished the first draft of my masterpiece. I now realise it was an unrealistic goal to include the "selling" bit as well. Sixty days is plenty of time for working out your premise, cast of characters and motivations . . . and I'm really pleased with the story and much of the writing, only, it's not what I think that counts. I'm going to do some revisions next week and then send the manuscript to the Writers' Workshop to get some feedback.

I was intending sending it to the BBC Writersroom (they spell it like that), but I feel it's important to get some professional input at this stage and see if I'm on the right track. The closest I've come to scriptwriting superstardom, was to get shortlisted in a BBC Radio new talent comp a few years back. Let's see if we can do better this time.

And what about an agent? Is it possible to get an agent without having something optioned? is it possible to get your screenplay optioned without having an agent? Watch this space . . .


Best, Kaz

PS Something entirely unrelated: just headed off to Yahoo! Groups to see if there was one dedicated to Lesbian Crime Authors. There wasn't. (Maybe I should start one?) Closest match came back as: 'I Was A Teenage Jehovah's Witness.' Huh? Am I missing something?

Monday, 14 September 2009

Say "hi" to Corrie's newest scriptwriter!

I am indebted to Joanne Salt at How To Books for sending me the latest edition of William Smethurst's "How To Write For Television." I confess I've had my head stuck in it all weekend - only coming up for air, food and Match Of The Day.

And this book is proving a big hit with me for several reasons. For starters, it's written it a witty, engaging style that is easy to follow. As well as leading you step-by-step through the process of writing your first script: story; style; plotting; dialogue; characterization and so on, the author introduces us to the various genres: Sitcoms; Drama and of course, Soap Operas. Did you know, for example, Hollyoaks currently pays £6300 for a single script (including omnibus repeat fee)? I didn't. There's serious money to be made in this industry that's for sure.

But what I'm really interested in, is where to send my "Calling Card" script. Again, Mr Smethurst provides plenty of sound advice, as well as a wealth of industry resources and contacts including writing courses, grants, agents and the Internet, naturally.

A really impressive calling card script can open doors, you know - even for the likes of newbies like me it seems. You can even use it by way of an introduction to your favourite Soap's script editor. So watch out Jonathan Harvey, cos I've always fancied writing for Corrie. My storyline of Gail falling for Eileen is bound to be such a big hit with the viewers . . .